1962 that Motown's Artist and Repertoire Director William “Mickey” Stevenson first heard the voice that would
become synonymous with "the sound of young America." A young jazz/blues singer with the unlikely name of "Martha
Lavaille" was bringing audiences to their feet at Detroit's famed 20 Grand Nightclub singing songs made popular
by singers the likes of Gloria Lynne and Della Reese. He invited her to audition at the new Motown Records headquarters, "Hitsville,
Though the audition never happened, within a year, Martha had taken the reigns of the company's A&R department,
ingratiating herself. She saw that musicians showed up on time and got paid. She watched, learned, and whenever opportunity
presented itself, she sang. And when she did, everyone took notice. When Mary Wells couldn't make a session, Martha was called
to the mic. With her group, the Del Phi's, she recorded "I'll Have to Let Him Go," and Martha and the Vandellas
The song was rather forgettable,
but Reeves' sound wasn't. While waiting for her first hit, Martha (along with Rosalind Ashford and Annette Beard)
Marvin Gaye on his first three releases and sang with him on stage. Soon, however, they emerged from the shadows
with "Come and Get These Memories," followed by an enviable string of hits: "Heat Wave,"
"Quicksand," "In My Lonely Room," "Nowhere to Run," "My Baby Loves Me,", "Love
Makes Me Do Foolish Things," "I'm Ready For Love," "Jimmy Mack," and, of course, the Motown
anthem, "Dancing In The Street."
leaving Motown in 1972, Martha continued to expand her musical horizons, establishing herself as a singer-songwriter
with few limitations. She sang rock, jazz, country, gospel, blues and classical. Her singing companions included everyone
from the Godfather James Brown and the Boss Bruce Springsteen to opera diva Beverly Sills and gospel king Rance Allen. She
headlined a national touring company of the musical "Ain't Misbehaving," and for three years toured
the UK in the musical review "Dancing In The Street."
Martha Reeves continues to thrill audiences around the world. Her self-produced 2004 CD, "Home
to You" was named one of the year's best by the Asbury Park Press. In 2005, Will Smith mined the Motown vaults to uncover
her unreleased gem, "It's Easy to Fall In Love," and included it in the hit movie "Hitch." Also
in 2005, Motown released Martha's "Lost and Found" collection, which included the rare Smokey Robinson-penned "Spellbound,"
her studio recording of "For Once In My Life," and covers of hits by the likes of Aretha Franklin, the Marvelettes,
Vikki Carr, Sam & Dave, and the Four Tops. She was also featured in the PBS special, "Motown: The Early Years,"
writing liner notes for the four-set CD package. A "Gold" collection was released in March 2006 and "The
Definitive Collection" in 2009. (Her 1968 "Live at the Copa" remains in the vaults, but we hope
for a release in the not-too-distant future.
Reeves and the Vandellas (sisters Lois and Delphine) bring bring class, sass, and unparalleled Motown style to any event.